A Third Photograph Of Robert Johnson Has Been Discovered

For decades there have been only two known photos of Robert Johnson. Now a third photo of Robert Johnson has been discovered.

Here are links to articles about this recently discovered photograph of Robert Johnson:

The previous two known photographs of Robert Johnson have been used to illustrate album covers and book covers.

Here are two examples of book covers using one of the first two known photographs of Robert Johnson:

Up Jumped The Devil, The Real Life of Robert Johnson, by Bruce Conforth and Gayle Dean Wardlow, is one of our Recommended Books.
Up Jumped The Devil, The Real Life of Robert Johnson, by Bruce Conforth and Gayle Dean Wardlow, is one of our Recommended Books.
Book cover, Escaping The Delta - Robert Johnson and the Invention of the Blues, by Elijah Wald.
Book cover, ,Escaping The Delta – Robert Johnson and the Invention of the Blues by Elijah Wald.

Here is a book cover using the newly discovered photograph of Robert Johnson.

Brother Robert: Growing Up With Robert Johnson, by Annye E. Anderson with Preston Lauderbach, book cover
Brother Robert: Growing Up With Robert Johnson, by Annye E. Anderson with Preston Lauderbach, book cover

Here is an example of a CD cover using the second of the first two known photographs of Robert Johnson:

CD cover, Robert Johnson - The Complete Recordings. This is the edition we are currently recommending.
CD cover, Robert Johnson – The Complete Recordings. This is the edition we are currently recommending.

The photo used on the CD cover above was taken at Hooks Brothers Photography at 164 Beale Street in Memphis, Tennessee.

Kings Palace Cafe, 162-164 Beale Street, Memphis, TN. The second floor was once occupied by Hooks Brothers Photography. The only known studio portrait of Robert Johnson was taken by Hooks Brothers Photography.
Kings Palace Cafe, 162-164 Beale Street, Memphis, TN. The second floor was once occupied by Hooks Brothers Photography. The only known studio portrait of Robert Johnson was taken by Hooks Brothers Photography.

We have written a post about the former Hooks Brothers Photography Studio.

The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.

The Mississippi Blues Trail marker commemorating Robert Johnson is outside the Little Zion Missionary Baptist Church south of Money, Mississippi.

Mississippi Blues Trail marker for Robert Johnson, Little Zion Missionary Baptist Church, Money Road, Leflore County, Mississippi
Mississippi Blues Trail marker for Robert Johnson, Little Zion Missionary Baptist Church, Money Road, Leflore County, Mississippi

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The Daily Memphian Has Published A Music Tour Which Includes A Link To Our Page On Hooks Brothers Photography

The Daily Memphian has published an article entitled A Memphis Music Road Map: The Early Years which includes a link to our page on Hooks Brothers Photography Studio, 164 Beale Street, in downtown Memphis, Tennessee.

Our thanks to The Daily Memphian for its recognition of our page on Hooks Brothers Photography Studio and the fact that one of the two known photographs of Robert Johnson was taken there.

For our readers planning a trip to Memphis, here is a re-posting of our Page about Hooks Brothers Photography Studio at 164 Beale Street in downtown Memphis which was mentioned by The Daily Memphian:

web header image showing part of the Hooks Brothers Photography sign, beale Street, memphis

This Tennessee Historical Commission marker is located outside the King’s Palace Cafe at 162 Beale Street in Memphis, Tennessee. The Hooks Brothers Photography Studio was located at 164 Beale Street, which is the second floor of the King’s Palace Cafe building, in the space currently occupied by the Absinthe Pool Room.

Tennessee Historical Commission marker (front) for Hooks Brothers Photography, outside 164 Beale Street, Memphis
Tennessee Historical Commission marker (front) for Hooks Brothers Photography, outside 164 Beale Street, Memphis

The front of this marker reads:

HOOKS BROTHERS PHOTOGRAPHY ESTABLISHED IN 1907 – Established by Henry Hooks, Sr. and his brother Robert B. Hooks, Hooks Brothers Photography Studio was the second oldest continuously operating black business in Memphis. Located during its early years at 164 Beale Street, it next moved to Linden Avenue and finally to McLemore Avenue where it ceased operation after a destructive fire in 1979.”

Tennessee Historical Commission marker (rear) for Hooks Brothers Photography, outside 164 Beale Street, Memphis
Tennessee Historical Commission marker (rear) for Hooks Brothers Photography, outside 164 Beale Street, Memphis

The rear of this marker reads:

“Covering much of the 20th century, the company chronicled and documented the history and lives of black Memphis and Memphians. Among the subjects and luminaries captured on film by the Hooks Brothers were Booker T. Washington, W.C. Handy, Robert R. Church, the beginning days of the Memphis NAACP, the Lincoln League, early high school and college graduating classes from Howe Institute, LeMoyne College and many other activities of black society and ordinary people.”

Although it is not mentioned on this Tennessee Historical Commission marker, Hooks Brothers Photography was also where the only known studio portrait of Robert Johnson was taken.

Kings Palace Cafe, 162-164 Beale Street, Memphis, TN. The second floor was once occupied by Hooks Brothers Photography. The only known studio portrait of Robert Johnson was taken by Hooks Brothers Photography.
Kings Palace Cafe, 162-164 Beale Street, Memphis, TN. The second floor was once occupied by Hooks Brothers Photography. The only known studio portrait of Robert Johnson was taken by Hooks Brothers Photography.

Hooks Brothers Photography and Robert Johnson

CD cover, Robert Johnson - The Complete Recordings. This is the edition we are currently recommending.
CD cover, Robert Johnson – The Complete Recordings. This is the edition we are currently recommending.

The Hooks Brothers Photography studio at 164 Beale Street is also of interest to blues fans because of its connection to Robert Johnson.

There are only two known confirmed photographs of Robert Johnson.

One of the two confirmed photographs of Robert Johnson, the one used on the Robert Johnson Complete Recordings album cover (left), is a studio portrait taken circa 1934-1938 at the Hooks Brothers Photography Studio at 164 Beale Street.

The other is a snapshot of Robert Johnson that was used in making the cover of the Elijah Wald book Escaping The Delta, shown at left below.

 

 

Book cover, Escaping The Delta - Robert Johnson and the Invention of the Blues, by Elijah Wald.
Book cover, Escaping The Delta – Robert Johnson and the Invention of the Blues, by Elijah Wald.

Here are links to some articles about photographs of Robert Johnson:

 

The office and studio space used by the former Hooks Brothers Photography is now the Absinthe Pool Room, part of the King’s Palace Cafe located downstairs at 162 Beale Street.

Many of the original features of this space are still intact and it is possible to get some idea of what the Hooks Brothers’ offices and studio may have looked like in the mid-1930’s when the confirmed studio portrait of Robert Johnson was taken here circa 1934-1938.

Here are some photos of how the space now appears.

The former Hooks Brothers Photography Studio is now a pool hall. We think this was once the Hooks Brothers reception area.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once the Hooks Brothers reception area.

The photo above shows what the entrance area of the Absinthe Pool Room looks like today.

This is the second floor room you first enter after coming up the staircase from Beale Street. The Absinthe Pool Room uses this space as a bar and sitting area.

We’re speculating that Hooks Brothers Photography would have used it as a reception area and waiting room.

The main architectural features of interest today are the original wooden wainscoting, transoms above the doors and the interior windows that open in all the interior walls. The interior sliding windows are an interesting remnant of the days before air conditioning. Interior windows that opened allowed air to circulate more freely through the interior spaces, allowing more effective ventilation and circulation of interior air.

We’re speculating that Hooks Brothers Photography used the spaces shown in the photos below as offices.

The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers office.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers office.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers office.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers office.

The photos below show the current appearance of what we believe to have been a room used by Hooks Brothers as a photography studio. These rooms overlook Beale Street and have large south facing windows overlooking Beale Street which allow natural light to enter. These are the only rooms in the space with natural light, which leads us to believe Hooks Brothers Photography would have used them as studios. If so, this is where the confirmed studio portrait of Robert Johnson was taken.

These photos show the view looking toward the north, away from the Beale Street frontage of the building.

The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.
This photo of Robert Johnson was taken at Hooks Brothers Photography, 164 Beale Street, Memphis, Tennessee.
This photo of Robert Johnson was taken at Hooks Brothers Photography, 164 Beale Street, Memphis, Tennessee.

The photos below show another view of the same room shown in the photos above.

This view looks south toward the Beale Street frontage of the building. The large windows face south onto Beale Street and allow natural light into the interior space at the front of the building.

None of the other upstairs rooms have windows allowing natural light to come in. For that reason we think Hooks Brothers Photography would have taken advantage of the natural light and used these rooms overlooking Beale Street as their photographic studios. If so, the confirmed studio portrait of Robert Johnson (shown at left) was taken in these rooms.

The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.
The former Hooks Brothers Photography Studio is now a pool hall. We think this was once a Hooks Brothers studio room.

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