Update From T. DeWayne Moore On Ralph Lembo And His Historical Reputation

Ralph Lembo was a store owner and music promoter during the 1920’s and 1930’s in Leflore County, Mississippi who obtained recording contracts for musicians like Bukka White and Rube Lacey.

Ralph Lembo’s store in Itta Bena, Leflore County, Mississippi is still standing at 114 Humphreys Street in downtown Itta Bena.

The former Ralph Lembo store, Humphreys Street, Itta Bena, Leflore County, Mississippi
The former Ralph Lembo store, 114 Humphreys Street, Itta Bena, Leflore County, Mississippi

Ralph Lembo’s historical reputation has been tarnished through articles by blues historians, including Gayle Dean Wardlow and Ed Komara, who wrote that musicians considered Ralph Lembo untrustworthy. Gayle Dean Wardlow has written that Charley Patton refused to work with Ralph Lembo because he considered Lembo untrustworthy.

New research by T. DeWayne Moore of the Mt. Zion Memorial Fund suggests that Ralph Lembo’s posthumous reputation has been tarnished unfairly and the criticism of Ralph Lembo as being untrustworthy is itself untrustworthy.

For more on this, here is a link to T. DeWayne Moore’s latest article on Ralph Lembo, published in July 2019.

Would you like to leave a comment or question about anything on this post?

2 thoughts on “Update From T. DeWayne Moore On Ralph Lembo And His Historical Reputation

  1. This is developing into a story every bit as compelling as the story of Patton and Lembo.

    I believe that Moore’s reputation as a diligent researcher and his credibility as a music historian (evidenced in the tireless enthusiasm with which he goes around uncovering and commemorating the last resting places of blues musicians) will stand the test of time and that Moore’s important work will emerge as the “goto” reference for anyone interested in the history of American music of the early to mid 20th century.

  2. Dr. Moore is indeed dedicated to historical truth and his work should be seen as a bench mark of historical research. T. DeWayne Moore shines a new light on the mythologised cultural history of Blues and it’s place in African American culture and history.

Leave a Reply

Your email address will not be published. Required fields are marked *